Treasure House of Culture

I have been partaking in cultural dances since as far as I could remember. But I have never truly felt or understood its cultural essence until I visited Rajasthan. People have always publicised the inherent traditions of a place and under-delivered it. However, Rajasthan proved me wrong. I could have included this post as part of my travelogue, but the reason why I am highlighting this in my feature post is simply because this truly was the best part of my Rajasthan visit.

While the City Palace managed to piss me off with its exorbitant price, Dharohar made an under-priced and yet exclusive impression. Translated as Legacy, Dharohar brilliantly showcases the rich and colorful heritage of Rajasthan. As a tourist, you often do not get to experience such an intriguing lifestyle while you are visiting a place. With that very aim in mind, and also to motivate the cultural awareness towards Rajasthan and its artisans, Dharohar in collaboration with WZCC came up with the unique concept of hosting cultural events against a backdrop a heritage place known as Bagore-ki-Haveli.

Adjacent to the picturesque Lake Pichola, Bagore-ki-haveli is a 18th century minature of the City Palace, built by the Prime Minister of Mewar, Amir Chand Badwa. Since most of the hotels are located around Lake Picchola itself, you can literally walk down the colorful lanes and arrive at your destination.

Experience of cultural events

Usually people just visit the haveli and move past it to opt for the various ferry rides to the palace located in the middle of the lake. But the small palace with its comfortable sitting arrangement, comes to life from 6 PM to 9 PM. With an articulate young man hosting the show, and each dance programs well choreographed to sounds of tabla (Indian drum) and harmonium (Indian piano), the audience will never contemplate any option other than being captivated.

The show starts with a Welcome song in the typical Indian traditional manner of blowing a shankh (conch), followed by a prayer in the Marwari language.


Then you start hearing the beautiful tinkling sounds of anklets as ladies walk on to the stage wearing the bright, multicolored, traditional Rajasthani cholis with glass work and embroidery. And thus begins the famous Ghumar Dance, usually associated with the Rajasthani royal families.


The Gorbandh Dance showcases the process of designing decorative strings and ornaments for the camels that they use in their daily life. The faultless labor can be seen in the easy abandon with which the women twirl around in pairs at high speed while holding hands. The sheer joy and happiness on the faces of these performers echoed well with the child inside me, who used to indulge in such activities once upon a time.


Next dance was definitely something very weird and intriguing to watch. Gavri Dance is a fusion of act and dance dedicated to the fight between Goddess Amba and Demon Bhiamwal and reflects the tradition of the Bheel tribe of Rajasthan. All the artists are natives of the tribe, which makes it more authentic.

The next dance performance is a traditional dance from the Gujjar community of nothern Rajasthan. Popularly known as the Chari Dance where chari/ charu  means water pot made of metal. Since the women of Rajasthan live their life carrying vessel on their head, the dance is dedicated to the simple lifestyle which the communities lead. One must give credit to the performers for the talent and precision with which they carry a ignited brass pot on their head and then start twirling around.

Terah Taal Dance aka 13 beats is one of the most fascinating dance that I have ever seen. Originally a tradition of the Kamada tribe of Rajasthan, the performers sits down and carry a set of brass pots on their head, and play 13 different manjiras (bells) tied to their hands and legs, while coordinating each movement with the rhythm of the music. At one point, they also hold a knife in their mouth!! While the convenience of the posture may seem simple, the precision and the level of technicality reveals talent of supreme order.

Rajasthani art and music is usually considered incomplete without the Puppet shows. Normally, in puppet shows, the puppeteer controls the puppet from behind the curtain. However, at Dharohar, the whole art and technicalities involved behind a simple puppet is shown to the audience in order to create a better appreciation of the art and showacase the talent of these puppet masters. It was quite extraordinary to observe the ease, comfort and familiarity with which the master played with each part of the puppet.


The grand finale of the night was the Bhavai Dance. It is one of the most interesting and challenging dance that I have ever witnessed in my life. As the host explained, this dance originates from the desert area of Rajasthan where women often cover a long distance from their home to fetch water while balancing vessels on her top of head. This dance represents the gratification of getting water, which makes them forget the pain of carrying weight over their head. The dance starts when the performer start the shows with 2 pots on her head, while performing various tricks like dancing on the edge of a metallic plate and over pieces of glass. As the dance progresses, there are more pots stacked on top of her plate, until there were 13 pots are being balanced. Don’t believe me? Let pictures speak for itself.

Pro Tips:

  • The charges are quite minimal, and honestly after seeing the show I honestly feel its under-rated and under-appreciated.
    Cultural Event: Rs. 100/-
    Additional charge for the camera: Rs. 50/-
  • Opt to pay extra for the camera so that you get to sit towards the front and get the best view and pictures. Since your feet might get numb after the end of this hour-long program, you might prefer to be comfortable and try to keep little leg space.
  • Don’t forget your camera. And don’t forget to charge the battery. Trust me, you will not stop clicking.
  • Surprisingly, they are punctual. So try to reach at least half an hour before the show.
    The show starts sharp at 7 P.M and will end by 8 P.M. In case, the tourists are large, they might contemplate having a second show.
  • Seating arrangements are actually on the floor and quite comfortable. 
  • By the time the show ends, the evening view of the Pichola Lake from the Gangaur Ghat is quite impressive.

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  1. I thought I knew Rajasthan. Turns out I don’t. Thanks for telling so much more. I agree Rajasthan is rich in cultural heritage. Lovely post, again.
    Looks like you enjoyed a lot. I would love to attend such a festival and your post has inspired me to search for some itineraries like this 🙂

    Liked by 1 person

  2. nice article! brought me a sense of deja-vu as we were here a few months back, and infact even the face of the lady seems familiar 🙂 we wrote something on this on our blog too, check it out if you get time !

    Liked by 1 person

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